Thursday, June 11, 2020

Padre davvero - Father, Truly

Ora che sono mezza inguaiata
E che ho deluso le tue speranze
Vieni di corsa, mi hanno avvisata
Per dirmi in faccia le tue sentenze

Padre, davvero lo vuoi sapere?
Se tu non vieni mi fai un piacere!

Mi avevi dato per cominciare
Tanti consigli per il mio bene
Quella è la porta, è ora di andare
Con la tua santa benedizione

Padre, davvero sarebbe bello
Vedere il tuo pianto di coccodrillo!

E certo tuo padre ti diede di meno
Solo due calci dietro la schiena
E con mia madre dormivi nel fieno
Anche in aprile e di me era piena

Padre, davvero sarebbe grande
Sentire il parere della tua amante!

Poi sono venuta e non mi volevi
Ero una bocca in più da sfamare
Non sono cresciuta come speravi
E come avevo il dovere di fare

Padre, davvero, che cosa mi hai dato?
Ma continuare è fiato sprecato

Che sono tua figlia, lo sanno tutti
Domani i giornali con la mia foto
Ti prenderanno in giro da matti
Ah, non mi avessi mai generato!

Padre, davvero, ma chi ti somiglia?
Ma sei sicuro che sia tua figlia?

Padre davvero © 1971 Antonello De Sanctis and Piero Pintucci

"Padre davvero" won the 1971 Festival of Avant-Garde Music and New Trends and helped launch Martini's career. Martini's father was rather violent, and he left the family when Martini was 15; this song speaks to the generational conflict, the delusion, rage and rebellion that so many young people felt and shared coming out of the Sixties. Growing up, music was a means of escape for both Mia Martini and her sister, Loredana Bertè, who also became a successful singer.

Now that I’ve half messed up
and that I’ve disappointed your hopes,
you come running, they warned me,
to tell me to my face your verdicts.

Father, truly do you want to know?
If you don’t come, you’ll make me happy!

You gave me, to start off,
so much advice for my benefit.
That’s the door, it’s time to go
with your holy benediction.

Father, truly it would be wonderful
to see your crocodile tears!

And for sure your father gave you less,
only two kicks behind the back.
And with my mother you slept in the hay,
even in April and she was full with me.

Father, truly it would be great
to hear the opinion of your lover!

Then I came and you didn’t want me,
I was one more mouth to feed.
I didn’t grow up as you hoped
and as I had the duty to do.

Father, truly, what have you given me?
But to continue is wasted breath.

That I am your daughter, everyone knows.
Tomorrow the papers with my photo
Will tease and drive you insane –
Ah, you never spawned me!

Father, truly, but who resembles you?
But are you sure that I’m your daughter?

English translation © 2020 Dennis Criteser


Oltre la collina (Beyond the Hill) was Mia Martini's debut album, as well as the debut of her nom de plum (she was born Domenica Rita Adriana Bertè and her previous singles were released under Mimì Bertè). The album treats a number of heavy topics - suicide, spirituality, sexual violence, illness - and Italy wasn't ready for an album so direct, emotionally honest, and dark. The album suffered poor sales, but stands out as a bold statement and testament to Martini's lifelong desire to sing only material that she could personally connect with. She was, at the time, a sort of Gypsy-hippie recreating herself and escaping from the emotional subjugation that traditional southern Italian culture could inflict on women.