Pezzo zero - Piece Zero

Run to party is this tu fu Urunun nolinin a bady new fox to do Ghed in a pfsillin foffaren justu Awdarded need a calle to six to stand Gheeedr prininaf st-stand Brrbrodinnau, r-really bady you stand Uhm... m Lorendannore devi is mi song, orenna beibeee! Oh grag, given ma corenbidestep Iu but but dirik iu uat tus tus du Bubbubittubi badubibidudutaububu udaddistudu Brbrbr douche tivasbevistida Aronni diis rimmi comonst from Randiiii adde cununnà d'mestià Hrobimmà iopollinehmistim Ehn lorennahori badi is missong Porring inna beibeeeni thing Ohlai andurin ma foni iessescià Iv bon biù beni ius benetbibistu Uoda gomid'mam hada hedeghepta but gu bimnstudu Hauan dududà hudududududa duddudududa du dùnna Of gudududubebi s dide commonn' di-di ae (brbr)bambae (brbr)bambae (br)bambà brndsah Provinnan uàmmistan efdh Oh! Oh! Horinna hedibbiri his vi song, roddenna ghevinah Scemmid' dorinna cobi mirissià Innam' nnam' uham' Uat Embu Ham Ububbabi distighetolleba heghiddigghideh Andoveaebbide digghimò eneddidse to seh Bauodinniditali iu fox t seh Uum'ma uum'mu ma ma uum'mmumum "beck guitar" Ypporinneah giuspirightari tto "show" Uh... uh, arennoni chenebissbi song tyuriennedbeh Oh hon wonnena chenididissong Budidippo budidibam budidiboemissòn Uoah narighisperi nare ghet mi song Bdurin ma bebee WAW! Uh nan, turi nesciudi bissaud Af bu be bo bi buh bi-d-bo bi uah ainik'no Orenghefforen de mi is mi song! Uh, uh, beibeeeeee! Pezzo zero © 1971 Lucio Dalla "Pezzo zero" highlights Dalla's unique approach to scat singing, which he began developing in his very earliest days when he was playing clarinet with the Rheno Dixieland Band in Bologna.

Il giorno aveva cinque teste was Dalla's fourth album and the first of a trio of albums in partnership with the poet Roberto Roversi. Before this album, Dalla's main partners as lyricists were Sergio Bardotti, Gianfranco Baldazzi, and Paola Pallottino. But Dalla was tired of writing songs he considered little more than simple ditties (his first love was jazz), and he wanted to develop a new approach with weightier lyrics. The new collaboration with Roversi allowed Dalla to explore new realms of composition, freer and more experimental. While sales were low, the album was well-received by critics and fellow musicians, and helped put Dalla on the map as an important emerging artist. The fruitful relationship with Roversi ended after their third album, over lyrics that the label wanted to tone down; Dalla was amenable, but Roversi was outraged and the album was released using a pseudonym for the poet.